Yu Hong-tribute to time _ mobile art

A tribute to the time to interview edit/Chen Cong laugh silk " recorded" I have been painting are quite realistic, this approach is most comfortable for me. Now this is not a fashionable, many attracting an expression, but I think this is best for me. Select silk and resin as a creative medium for sure and I have a certain relationship of women, but is not to say that I am only looking for women with female related material, which is too exaggerated. All the world in a variety of material too much, but you really like and you are not comfortable with the material, is not to say that each of the things that can be used, and cannot be used, can have fun and keep your creative ideas for this is another matter. I think the choice of silk and resin is quite natural for a process. I actually have on traditional Chinese ink painting very interested, but I am not a student of traditional Chinese painting, I want to put it in this form with my creations have a binding, and tried many times textiles, finally chose silk, silk is very comfortable thing, of course, in fact, a female, I am not saying that because of the need to find a female only to find it in the media. Resin is because want to live, silk solidification quite natural to find resin. If there are other energy solidification I will also be available, but haven't found it appropriate. Female perspective focuses on the experience I think that an artist can be different classification, may be multiple. The same artist, you can put her into contemporary, or you can put her into a female artist, or you can put her into expressionist artists. I think it is a classification, art theory and art criticism is the need to sort out the different angles, to classify these artists. For a female perspective, I think the female perspective more focused on an experience. I'm not going to draw I haven't seen before, unfamiliar. Women own experienced things, really vital feeling things are easily aroused, to serve as the basis to creation. Men more via a concept, through rational and logical to creation. This two-year students of feminist consciousness a little strong, this art with mass media, the media, including the effects of the exhibition, and former students are not aware of the female perspective. Base, large possibility I think artists who live more and more difficult, not only is the female artist. Because in the past most of the artists are in the system, at least one work. System, and clothing is no problem. Now all artists are relying on the market, market volatility is also very large. Of course there is also a successful artist, he has no need to worry about the economy. But for most of the artists or very difficult. Overall, women artists and more than in the past, the opportunity is growing, but still a weak State. Yes, it's the oil painting Department of twelve students I a girl who, at that time very little. The term includes painting, sculpture and art history majors have over 70 students, only a dozen girls, around ten is art history majors, only four girl is learning to professional painting and sculpture, when the four of us will live in a dorm. Strangely enough, when I was in high school is also attached, then in its first 20 students only four girls, into one class a dozen students only two girls, that is to be used, no feeling. Now very much, and some even a class of ten students, eight, nine girls, as the case may be. Basically, or half and half, and some even more female students, especially girls to read very many graduate students. Their difficulties or after graduation, but after all, Cardinal, Cardinal possibilities is large. When all of Western thought crossed into no female art, it queer feminist art concepts from the mid-1990s. Before that, most of the women artists does not admit, himself summed up as a female artist. At that time standard is a leading standard, mainstream standards regardless of the opposition or the Academy of fine arts at the Institute, so that the place is actually a male standard. Whether you're male or female, with the standard to form your own art, then went after the mid-1990s, one of the World Conference on women held in China, and through the media know that women have a feminist, a female perspective, and many artists began painting in particular women, this is similar to the genitals, began to have a look. I 1980s graduated, then just the reform and opening up, China all book fair or the media, introducing Western contemporary art, philosophy, there are a variety of thoughts, but there is no female art. It stands in the 1980s, Western feminist art or feminist thought already perfected the, at that time but not a school and a branch, in the period when China opened its doors, everything came in and there is no female art, feminism. Until the 1990s, because a World Conference on women, to the introduction to the concept. So you scene in things can actually have a choice, the choice is not my choice as a student, and was introduced into all of the thoughts of those elite they don't see. Red/hatching larva Buon Jie Jia valiant "TITLE =" metaphor red upport jie jia cellulosae ran your valiant "/> red upport jie jia cellulosae ran your valiant" TITLE = red "Yu Jie Jia cellulosae Buon upport letting valiant"/> red upport jie jia cellulosae ran your valiant "TITLE = red" Yu Jie Jia cellulosae Buon upport letting valiant "/> red upport jie jia cellulosae ran your valiant" TITLE = red "Yu Jie Jia cellulosae Buon upport letting valiant"/> red upport jie jia cellulosae ran your valiant "TITLE = red" Yu Jie Jia cellulosae Buon upport letting valiant "/> red upport jie jia cellulosae ran your valiant" TITLE = red "Yu Jie Jia cellulosae Buon upport letting valiant"/> Yu Hong was born in 1966 in China Beijing 1984-1988 at Central Academy of fine arts, oil painting Department, reading University 1994-1996 at the Central Academy of fine arts, oil painting department graduate 1988-now in Central AmericaFor College of fine arts, oil painting Department teaches solo exhibition in 1990, "Yu Hong painting exhibition" Gallery, Beijing, China 2002 "witnessed growth--Yu Hong painting exhibition" East modern art centre, Beijing, China "witnessed growth--Yu Hong painting exhibition" he xiangning Art Museum, Shenzhen China 2003 "witnessed growth--Yu Hong painting exhibition" Hubei Academy of Fine Arts Museum, Wuhan China's "a woman's life--Yu Hong art" Halsey Gallery South Carolina Rollei Arizona United States "one woman's life--Yu Hong art" goodhouse contemporary art gallery, New York United States 2006 "Yu Hong" Loft Gallery, Paris, France 2007 "Yu Hong" Eslite Gallery Taiwan "what you see?" Eslite Gallery Taiwan "inside and outside, 2009 time: Yu Hong painting exhibition" group exhibition, China Guangdong Museum of art in 1986, "China oil painting exhibition" Shanghai Art Museum, Shanghai, China 1988 "oil painting art exhibition" China Art Museum, Beijing, China in 1989 the "Monte Carlo international art exhibition" Monte Carlo Monaco "seventh national art exhibition" Nanjing, China in 1990 "female painter of the world" Gallery, Beijing, China in 1991, the "new generation art exhibition," the National Museum, Beijing, China in 1993, the "China avant-garde art exhibition" Germany, Netherlands, United Kingdom, Denmark exhibition "45th Venice Biennale" in Italy in 1994, meet the "things" discover Museum United States 1997 "47th Venice Biennale" Venice Italy "Centennial Exhibition of Chinese oil painting portrait" China Art Museum, Beijing, China in 1999, "at the end of 20th century Chinese art" Chicago University Art Museum, exhibition United States 2000 "20th century China oil painting exhibition" China Art Museum, Beijing, China 2001 "life at this point--from China's modern art" Hamburger Bahnhof Museum Berlin, Germany "China National Art Museum of contemporary art" Singapore Singapore 2002 "the Beijing-Paris " France "Guangzhou art triennial: a decade of experimental Chinese art (1990-2000)" Guangzhou China 2003 "first Beijing international art biennial" China Art Museum, Beijing, China in 2004 "Maronite dream---Chinese contemporary art exhibition" modern art museum "image Ireland survive---Shanghai International Biennale" Shanghai Art Museum, 2005 "the 7th International exhibition" Sally Caleb's Michael U.A.E. "Chinese contemporary art exhibition," Art Museum of Mexico City, Mexico Tomayo "wall--Chinese contemporary art over the past 20 years," the China Millennium Monument Museum, Beijing, China in 2006 "solemn stroll" National Museum of contemporary art, Athens, Greece "the emotion of the" long March space, Beijing, China in 2007, the "spirit and character---China contemporary realistic oil paintings exhibition," Art Museum, Beijing, China "Yan'an" long March space, Beijing, China's "black and white ash – a proactive culture select" today Art Museum, Beijing, China "made in China" Louisiana Museum of modern art, Copenhagen, Denmark "made in China" Israel Museum, Jerusalem, Israel "Asian cities network" Seoul Museum of art, Seoul, Korea 2008 "deep breath---China contemporary feminist art exhibition" Shanghai Creek art Shanghai "dream of recession: Chinese contemporary art" the Museum of modern art in San Francisco, United States of "2008 Beijing 798-style sexy" and "commemorating the 30th anniversary of reform and opening up art works exhibition," Art Museum "on 2009-Strait contemporary art exhibition" Taiwan Taichung Taiwan Museum of fine arts, Beijing, China